Tour Booking
How to Check Venue Access Before Booking a Tour Show
A practical venue-access check for DIY touring bands: verify the artist route, agree on access needs, check audience information, and confirm the plan before tickets go on sale.
Check the room before the date becomes a promise
A venue can look perfect on a poster and still be wrong for someone who has to play it or attend it. "Accessible" on a listing is a starting point, not a description of the stage door, the restroom, or the view from a seated area. When you are building a DIY route, make access part of the venue choice before the bill is announced. The question is simple: can the people in this band and its audience use this particular room on this particular night?
Build a shortlist in the Venue Directory, then check the venue's own access page and speak to a person who knows the space. Directory details and old photos can get you to the right door; they cannot tell you whether a lift works today. The National Endowment for the Arts' performing-arts checklist explicitly looks beyond audience seating to performance space, backstage rooms, restrooms, and communication. Use that wider view when you compare rooms.
Trace the whole artist route
Start at the vehicle. Ask where the band unloads, which entrance artists use, whether there are steps, steep ramps, narrow doors, or a lift, and how far gear travels. Then follow the route to the performance area, green room, and restroom. A step-free front door does little for a player whose only route to the stage is a staircase behind the bar. Ask for photos or a short walkthrough when the written description is vague.
Think about the work, not just the building label. Can a musician reach the stage and perform with the needed equipment? Is there room for an adapted instrument, mobility device, or assistant? Is there enough time for a soundcheck that works for the act? Attitude is Everything's DIY Access Guide recommends checking step-free stage access or an alternative step-free setup, allowing soundcheck time, and sharing relevant requirements with venue staff with the artist's permission. Do not volunteer a bandmate's private information to solve a booking email. Ask the person what they want communicated and to whom.
Put artist needs in a usable access rider
A technical rider says what the sound crew needs. An access rider says what someone needs to do the job. The Musicians' Union's access-rider guidance suggests specific headings and bullet points, including how a requirement affects different stages of the engagement. You do not need a medical biography. You need clear arrangements: entry and load-in, stage setup, lighting, communication, breaks, and an agreed contact.
Send the relevant requirements early enough for the venue to answer before you lock the date. Ask which parts it can provide, who is responsible, and what remains unresolved. Get the answer in the booking thread so the information survives a staff change. If a proposed workaround depends on carrying a person, improvising a ramp, or hoping a lift gets fixed by showtime, stop and find a safe, agreed plan. If the room cannot meet an essential need, choose a different room or a different setup. A heroic flyer cannot make a staircase disappear.
Check what the audience can use
Fans need specifics, too. Ask whether there is a step-free route from the public entrance to the show, where a seated view is available, whether an accessible restroom is working, and whom a guest can contact with a question. Check the actual ticket page for accessible seating and companion arrangements where relevant. The U.S. Department of Justice's ticket-sales guidance explains the rules for assigned-seat events in the United States, including comparable sales methods and useful information about accessible seats. The rules vary by venue and jurisdiction; a band should verify the seller's live process rather than guess from a generic "ADA" icon.
If the venue has limitations, describe them accurately before tickets go on sale. Attitude is Everything's guide recommends putting practical access details on event pages: step-free entry or the number of steps, seated sightlines, restroom information, and a way to ask questions. Do not claim that a gig is fully accessible because one doorway is. Also do not publish a disabled bandmate's needs as promotional copy. Artist arrangements and public information are different conversations.
Confirm the plan with the people running the night
Before announcing, send one short recap to the booker or promoter: artist entrance, load-in route, stage arrangement, restroom, audience entry and seating, ticket contact, and the named person handling access requests. Ask who will brief door staff, sound staff, and the other acts. Attitude is Everything's Just Ask guide recommends a named contact for artist access responses instead of a broad inbox that may expose private details. Use that principle when you decide who receives an access rider.
Recheck anything that can change close to show day: temporary staging, blocked routes, lift status, seating layout, and the event-page wording. If a key arrangement falls apart, talk to the affected person and the venue before selling the night as sorted. The goal is not a perfect badge beside the venue name. It is a show where the people who play and the people who paid can get in, take part, and get home without a last-minute obstacle course.
